eight dubbed out techno cuts with a futuristic twist blending the memories of nineties dub techno with contemporary sound aesthetics.

after remixes for mark broom on his label beard man, for s-file and ben long s record on decoy, we are proud to present the brand new single from turbo turbo. 2 excellent techno tunes that blow the dance floors all over the world away. the two german brothers bernd and manfred hit with their techno sound the current nerve of the club scene. we hope that you are as much excited as we are about this new release from turbo turbo. pick up you favorite track and play them loud!

amr004 exclusive vinyl, composed by our favorite techno artist, sosa ibiza, with 4 impressive cuts for all the dancefloors of the planet, undoubtedly a piece of collection, with impressive grooves of techno and minimalistic touches to beat of terrible atmospheric sounds, revelation artist for 2017, unique and exclusive jewel in vinyl format, for lovers of analogue sound, distributed in the best and current stores of the world. it will be the best way possible, music of great quality, for all lovers of animals muziq recordings, one of the few seals of the island of ibiza that currently iron these formats. you will have numerous feedbacks, since we give the personal promotion to great artists of the world in the island of ibiza that usually prick with technis, in the best clubs and partys of the island.

steve monite’s album, only you, is a prime slab of nigerian boogie. it’s sinewy, compact and sexy, a little bit of disco mixed with a big dose of funk. loose and groovy, it’s a sonic seduction from another dimension. with legendary producer tony okoroji at the desk, and influential musician and sound engineer, nkono teles, creating magic on the synth, the title track is raw and melodic, dark and sweet at the same time.

flumo s first vinyl offering for 2017 sees chocky returning with three original signature tracks along with a remix from true craftsman orlando voorn. higher synth, the first cut on the record rolls out the instantly recognizable chocky sound to full effect. looped chords set the rhythm in motion & the vocal sample provides just enough variety within the track to mix things up and keep you moving. orlando voorn s take on higher synth enhances the weight and heaviness of the original, the wooden bass kick and crisp synth layers provide a refreshing satisfying take on things. the flip side contains two tracks, first of which is seek deep, a track that similarly maintains chocky s signature vibe whilst also paying homage to deeper, classic house tracks with a spoken word vocal.. this track was first made available on flumo s unreleased highlights volume 4 compilation, and it now sees an anticipated vinyl release. closing off the package is chocky s brush away, a track delving into the hypnotic sphere, where field-recorded vocals and trumpet lines create a late night groove aimed straight at the dancefloor. chocky returns to the label and he delivers.

untamed love is an ufo in peter hunnigale’s career, recorded at omega studio (london) and originally released on the cosmic label in 1986. some people have no words to describe it. you can call it brit boogie, rare funk, sick jam, musical bomb, or god jam, whatever it’s typical mid 80 s tune with a rythmic backgound sound that is captivating and memorable, thanks to heavyweight synth and awesome vocal. the original 12’’ vinyl record is still very hard to find and expensive nowadays. if you are about to discover this song, make sure you are sit down when you listen to it because this song will blow you down « hey girl i like the way you smile ».

ltd repress 300 copies only
nomine returns with blind man, his fifth 12 inch for tempa. its three tracks offer his sparsest yet most atmospheric and immersive music to date, taking listeners and dance floors further still into the cryptic sound-worlds hes made his own throughout his releases to date. what marks out nomines takes on dubstep and techno is his innate ability to use subtle sonic gestures to create a massive physical and emotional impact: in his hands, a brief flicker of struck hand drums or a fragmentary drift of melody can hit you as hard as a two-ton heavy blast of sub-bass pressure

days of being wild continues their collaboration with berlin based french producer franz matthews, releasing his first solo ep, the spacey, cosmic ostkreuz. half of the duo languages, whose 1st ep the label released at the end of last year, franz matthews explores a very different sound on his first solo effort, all space disco, retro synths and funky guitars out. title track ostkreuz has been road tested by the days of being wild crew on dance floors all around europe all of last year and has created euphoria and anticipation in equal measure. this is a cosmic hit from outer space, all constructed around well known ingredients that thanks to franz matthews musical and melodic talent rise here to epic heights. the b-side guns of rixdorf is another devastating peak time tune. while remaining in the same vein as ostkreuz, it feels more high energy with its irresistible funky guitars calling and responding over a driving bass. days of being wild always try to pair producers with remixers that will shed a new light on their work. its no exception with ostkreuz, who gets the reinvention treatment from no other than moscoman and rodion aka the claydermans. the cosmic vibe is still here hovering on top in the opening chords of the remix, but soon enough a sub, housier bass makes its way in the mix and wont let you go until the end. carried by shuffling claps and a bouncier beat, the groove here is totally re-invented, taking ostkreuz from peak time to the darker edges of after land.

during the last ice age glaciers slowly carved away the landscape creating mineral rich sediment. for hundreds of thousands of years melt water carried this fine-grained sediment downstream to parts of north america. in some areas strong winds carried this sediment and deposited it forming a network of ridges and dunes. these deposits of loose silty wind-blown, or aeolian, sediment are called loess. flash forward to the present, and the duo of clay emerson and ian pullman may seem to have gone the way of the glaciers and all but disappeared. instead, their signature loose aural silt has been slowly and methodically accumulating and now makes up their new full-length pocosin. others may have no point of reference and pocosin is a welcome introduction to the sound of loess, in a mere blink of an eye from when they began.
limited clear vinyl with download code included.

gato preto’s debut album „tempo“ contains everything, what is exciting about the international club-culture: rockin favela-funk from rio, roaring township-grooves from south africa and angola’s technoid electro-hybrid kuduro. sound creator & gato preto producer lee bass creates the basis for femcee gato misteriosa and her portugese power-punchlines.

nach dem song »time for bedlam«, der schon anfang februar als maxi-cd erschienen war, folgt nun mit »all i got is you« der zweite vorgeschmack auf das neue deep-purple-album »infinite« und gleichzeitig die erste offizielle singleauskopplung.
»all i got is you« ist deep-purple-sound pur. die eingängige viereinhalbminütige hymne kombiniert nostalgischen 70er-rock mit modernen klängen. morses virtuose gitarre und aireys hammond-orgel sind allgegenwärtig, genauso wie ian gillans kräftige und nach wie vor wandlungsfähigen vocals.
zudem warten auf der limitierten 12“-single neben »all i got is you« exklusive aufnahmen aus dem proberaum von deep purple, die weitere spannende einblicke in die bevorstehende platte geben.

clutchy and fatty....high desert crunch meets city life punch for this collaborative project in sound. instrumental elements of soul, jazz, hip-hop, rock and more resonate throughout the record. just what any clutchy hopkins or fat albert einstein fan would ask for, track after track of laced up loveliness. these two gents pair banging rhythms with lush melodies and top them off with their signiture low brow high fi sound. guaranteed for some straight nasty. acoustic and electric instrumentation set the tone and in their individual stlyes, clutchy and fatty navigate your journey through psych folk caverns of cactus dust and marine layer funk with bloodshot rust. it is distinctive, original and fresh, paying homage to the past, present and future. visionary folk funk.

fav004 is finally upon us and it comes courtesy of l.a based cheyne taylor bush a.k.a tetrad who has been on fire recently, fresh off the back of an inspired and well received zamzam release last year. here he is joined by brother dillon bush a.k.a ahkur on opener -ashes fall-, a seriously dark piece of music and possibly tetrads heaviest production to date. an eerie intro with a haunting vocal sample drop into an assault of pure dubstep pressure which is sure to ignite dance floors the world over. flip side -crumble- is a more stripped back affair with a nod to the classic sounds of dub with its delayed snares, skanks and fx. what really sets this tune apart though is the overwhelming power of the sub, with a weight-line so devastating it could crumble cities let alone the dance! here brothers tetrad and ahkur have succeeded in providing an outstanding plate, absolutely brimming with sound system material in its purest form. essential.

based on seven key themes, at least traverses overcast atmospheres, physical bass hues and radiant melodies, synthesizing elements over a fine composite of sound design, polyrhythmic patterns and club-influenced design. astvaldur’s debut album is a personal re-evaluation of the boundaries of the genres he draws inspiration from. his distinctive sonic textures encompass exploding percussion from the post internet age, repurposed orchestral sound bites, un-organic keys and a trained ear for monumentally expressive arrangements. at least will be released both digitally and on vinyl with a handprinted and stamped double layered artwork – utilizing organic and synthetic materials, representing the essence of the album.

the always wonderful begin returns after a very balearic absence ! and what a return ! let s talk eases us in with some trademark begin style mid-tempo mellowness, as undulating melodic elements are carried straight to the beach on gently lolloping beats aight adds a little more anticipation, with a syncopated backbone and some mesmerising carl craig style synth cycles... on the b, the cut the paste is a burly, new beat inspired chugger, which manages to sound exactly like an early morning, strobe-lit boccaccio moment, while simultaneously basking in the midday sun

danilo braca (danyb) arrived in brooklyn from his native rome in 2011 playing around town, running sound at the output events & slowly allowing these edits - informed by many years working the floors across europe - to evolve on and off the dancefloors of new york city busted vol. 1 kicks off with something very special - a lovingly reworked, top secret, late 70 s jam favoured recently by none other than dj demi-god harvey anyone who s heard him play in the last couple of years will be familiar with the original version of this truly magical 13 minute slo-mo disco jam - it s a genuine holy grail moment ! having established that quality is of the upmost importance, busted continues with a beautiful duo of amended cuts on the flip. the uptempo, playful play me hard works the groove, hard ! while have a cake is a gloriously sleazy mid-tempo workout one hell of a 12- ladies & gentlemen !

danilo braca (danyb) arrived in brooklyn from his native rome in 2011 playing around town, running sound at the output events & slowly allowing these edits - informed by many years working the floors across europe - to evolve on and off the dancefloors of new york city busted vol. 2 continues the journey with a fine foot-stompin slap bass jam, followed by a foot-workin & vibe heavy jazz funker. the b side gives us some top drawer psychedelic soul and another awesome cosmic cut that wraps up a package of the finest obscure floor-shakers around one hell of a 12- ladies & gentlemen !

simbad is by no means a newcomer, and has built his rep-utation with over a decades worth of releases. besides his close affiliation with brownswood recordings / worldwide fm, he’s had production credits on releases by mala, daymé arocena and robert owens, and remixed the likes of black jazz consortium, quantic and roy ayers to name but a few. for this release, simbad once again proves his bold and versatile productions skills. continuing where his previous solo releases left off, he returns to his roots to further his journey exploring house music in all its richness and diversity under his new moniker smbd. with references of classic techno, house, and broken beat, the end result is fresh and inspiring. ‘message 045’ is just that, a comment on today’s world tinted with the sound of an uncertain, technological future and held together with innocent melodies, bubbling synths, rolling basslines and driving percussion. shimmering pads and punching drums carry both ‘ping pong love’ and ‘backstreet’, ready for the dance floor. title track ‘message 045’ takes a beatless, contemplative approach, dreamy, euphoric instrumenta-tion aided with dialogue that captures the essence of the release. newcomer world air offers his charmingly unconventional approach to ‘ping pong love’, a mesmerizing and inventive piece that takes the listener on a trip to a brave new sonic world. watch this space for world air’s debut release soon..

cuplet makes a stomping return with its second release, set to become quintessential for the revived techno sound, leaving andrei ciubucs imagination running wild on this 2-tracker. both record sides, overwhelming in the low frequencies area, are painting a dark industrial canvas for andreis devilish signature groove, syncopated for strei2 yet harmonized within the bassline for cel putin.
smoky techno, cuplet style, coming soon on a dancefloor near you!

dys functional electronic music is a compilation release from repitch recordings, celebrating the label’s first five years. its ambivalent title aims to represent the sonic behaviour of its content, often deviating from norms or distancing itself from common club functionalism. for this release, the 3 repitch masterminds ascion, d. carbone and shapednoise are joined by a selection of the artists who contributed shaping the repitch sound throughout the years, along with guests that inspired them in this adventure. during the past 5 years the main focus of the label was to set up a platform for experimentations across the dancefloor canon, establishing a standout musical identity. a spirit that resonates within each artist’s personal approach: from ascion’s dark breakbeats to the exaltics and and’s acid frontalism, shapednoise’s brooding noise, sote’s fractured rave, d. carbone and gaja’s intrusions into melody, pinch and the zenker brothers’ dub-infused atmospherics, skudge’s love of gloom and nuel’s idm-ish minimalism

braindance records, giving the morning calm a second chance. having only appeared for a few live sets mainly dedicating himself to production, go dam, is a silent actor for the change in seoul s music scene. with a diverse spectrum of influences and genuine love for alternative electronic music, we are given a unique identity portrayed through his sound. the “alternate dimensions e.p”, first output of the label, opens the doors to another dimension comprising of electro infused melodies. reminiscent of the mid-late 90’s uk intelligent techno-electro sounds it also combines heavy detroit influences with a peculiar sonority that will invoke you into the story within the alternative soundscape.

new artist gert p loads up his debut 12- for earwiggle ! earwiggle is the techno label from sunil sharpe a new artist on earwiggle, gert p loads up his debut 12-. harking back to the glory days of german/dutch hardcore techno - gert explores this sound in a modern context, recalibrating to a more regular tempo, and zoning in on some of the key ingredients. hoovers, barking dogs and raw acid are put through their paces over four tracks that move from dark ( takke ) to happy ( loopjongen ). for fans of the mover / pcp, dj gizmo, k.n.o.r. records and more. hakke!

after his debut ep hello 307 and critically acclaimed follow up lp dance with me we find microlith, aka rhys celeste, pushing his sound ever forward. celeste takes his sublime musical ability and electro funk influence to produce a compelling soundscape. a vast army of analogue synths can be heard on every track which will catch the ears of afx fans as he effortlessly manipulates them into beautiful, highly detailed compositions. this ep occupies a corner of electro seldom trod, and with it celeste galvanises his lofty position in the new wave of braindance. rip rhys, our deepest condolences go out to your family and friends

out of the south american continent colombian producer duo uron appears for the first time on black brook limited. two tracks of the original and three remix versions completes the ep. the tack titles hiperion and leda are multiple terms. one of saturn s moons is called hyperion and one of jupiter is called leda. we don t know for sure if there is an intended meaning to their sound involved. what we listened to is what you get now. pure energetic techno, signal sounds, heavy drums. the upcoming ep contains more than 30 minutes quality music. responsible for the two remixes is greek producer endlec. hyperion and leda are also two terms leading into the world of greek myths. is it the bridge to endlec while travelling through space your soundtrack should be the 9 minutes groover of leda - repressed mind & escape to mars remix is the perfect piece to float.

arriving at their 20th release in typically eclectic fashion, nado turn from a laidback luke to a tasmanian devil, summoning synth mystic bronze savage to bring his unique electronics to their unstoppable imprint. hailing from hobart’s piers rather than pavements, the australian producer trades in a sun-bleached house sound alive with ocean spray and salty air, perfect for playing at that magic hour when the sun dips into the sea.

it’s time for local talk to go local again with another swedish producer, eric ericsson. with numerous releases out in labels like planet e, fragile and freerange he’s one of those producers with one foot in the techno scene and another in the more soulful house scene. basically, he s not a one trick pony! for his release on local talk we would say he lands somewhere between classic chi-town house and thumping nyc house groove but without sounding too retro or washed out. its simply real house music! we begin with love it, a real bumpy house track with analogue basslines and swinging fender grooves that will work both stateside and in the european house clubs. the second track the chi is as the title suggest a homage to chicago with a slight old school boo williams fee. - dope! but thats not all, to give the release a broader twist we got man of the moment oskar offerman (berlin) to remix love it for us. oskar goes more deep with his trademark sound and gives us a dark mix that will sound amazing in your favourite berlin club of choice.

mentha records steps up with a various release called into yourself featuring four emotive compositions that span the deep house spectrum. tides by michael lovatt starts the 12inch with lush chords and a deep baseline that gives off a warm feeling. kareem ali is up next with arnaldo tamayo mendez, a sensual track that is packed full of frequencies as ali shows off his harmonic and arrangement skills. the flip side begins with an anaxander piece called unspoken , with an emotive motif that displays homage to a classic deep house sound. michael zucker is holding up the last leg with together, this melancholy tune seeps its way slowly into your cells through an invasion of warm tones. into yourself is a solid 12inch for the deep house soldiers.

this release journeys to mid-80s argentina and the highly sought after 2nd solo album of carlos cutaia. inspired by the new electronic sounds emanating from europe, this multi instrumentalist offers more than a pastiche, embedding his own melancholy in a unique and classic nueva wave-album. classically trained, carlos cutaia started as a composer for dance and theatre, before spending much of the 1970s as a member of a number heavy rock, prog rock and rock-fusion bands of some note, before finally going solo with the city of distant tones album in 1983. however, by the time of his 2nd solo album in 1985, as his country finally left behind a long period of military control and enjoyed greater freedoms, carlos was fully immersed in the new electronic pop sounds imported with hungry ears from europe. teaming up with fellow composer, keyboardist and producer, daniel melero and alejandro oucinde, the futurism of kraftwerk and gary numan s tubeway army was embraced, but also adapted to fit their native land, just as it was understand a new modernity. starting with the swagger of visiones incomunicadas, the template is set. sharp drum machines, semi-nonchalant, half spoken vocals set the scene, while chopped guitar and smart synth lines fit the over riding feeling of an intelligent nonchalance. things however, do go beyond the straightjacket of euro-pop as heard on the anthemic programacion and avant twist of the first of two piano-ambient pieces aproximacion dos and its companion piece uno found on the b side). eric satie and minimalism are clearly not far away. however, it is side b opener sensacion melancolica that captures the sound to perfection. a balearic masterpiece, capturing in it s title the over-riding atmospheric of a unexplained sadness, a loss. operativo and the poem humanos de america bring things to an end of a feeling melancolica.

fokuz recordings proudly presents the better world lp by powerhouse duo macca & loz contreras. with their classic liquid funk inspired sound the leeds/portsmouth based duo have built a steady reputation as djs and producers pursuing the more soulful end of the drum & bass spectrum. no bombastic kicks and snares here. they tend to stay true to their uplifting ethos through reworking iconic soul samples into danceable feel good grooves underlined by natural-sounding breaks that roll with ease. the better world lp showcases the duo’s best work to date. in addition to a string of new cuts also 4 previous released tracks are included in the package. these works are some of their most highly regarded tracks which obviously couldn’t be left out. the new tracks include a vocal featuring by hannah eve + remixes by lenzman, fd and s.p.y. in addition to their work as a duo this extended album also includes solo efforts by both macca and loz contreras.

• essential repress !! the first collaborative ep from randomer and perc !
• three tracks of screw-faced north london grot !
• perc trax is proud to announce the first collaborative ep from randomer and perc, two artists working in different areas of the uk dance scene, but who share a similarly uncompromising attitude towards pushing their sound forward.
• randomer s connection to perc trax has grown from his set at the perc trax boiler room session in late 2014 to his first appearance on the label with his recent remix of ansome s back alley sally .
• across this ep the two producers fuse together randomer s intricate rolling rhythms with perc s aggressive snarl to serve up three tracks of screw-faced north london grot.

eduardo de la calle signs sungate’s first release, an original four track ep which overall concept takes inspiration from hindu mythology and comes alive through four balanced, elegant and strong productions. analog sound with hypnotic cadence, futuristic personality and eduardo’s unique personal trademark.

strongly 1990s ebm rooted, noise & industrial sound scapes incorporating, blinding, techno aiming remix set. limited edition of 500 copies.

presenting fapte002 - anamorph - subconstient ep (white 180g, vinyl only - limited)
originally from tunisia, anamorph is one of those great explorers who travel the world in search of new influences, finding inspiration in romania after a few years of living in bucharest, he presents fapte with 2 original tracks to match the identity of the label:
side a of this white vinyl consists of one original mix - sub constienta - with an uplifting baseline, with industrial background textures complete with mesmerizing synths that make your body vibrate to the groove.
on side b, swing altfel is a track that tells the story differently, taking the listener on a long journey thru the sound. just like the exquisite painting of painter leonid afremov, the track it self has many sounds combining one on top of the other in a progressive release of the right amount of joyful vibe, with passages and percussions mixed with tweaked vocals, giving this track the perfect rithm.

time runs fast and it s time again for our annual vinyl release. for our second delivery we have on board two of the best producers in the techno panorama, no other than tensal and p.e.a.r.l.
tensal opens the release with his own particular version of the original, enforcing the beats adding white noise sweeps, twisting the sound and rearranging the structure in a clever and hypnotic vein. following on b2 a special edit version of the original mix.
on b side p.e.a.r.l. is on remixing duties offerin a raw beat exercise as remix one and a more complex rework as bonus remix to close the release.

acid pauli is a name synonymous with certain aesthetic towards electronic music culture - both a part of the unhooked generation of that grew up experiencing his revelatory sets at places like bar 25 and fusion, and yet deeply rooted in musicality and adventurousness. bld, the second full album from martin gretschmann, (aka acid pauli), builds on his already impressive back catalogue which spans back to 2005, and includes a debut album released on nicolas jaar’s clown and sunset. over the course of the eight tracks here, gretschmann explores some of the many facets that have made him one of the most trusted artists in his field. released on his own (and nico stojan’s) label ouïe - the album is the perfect expression of the imprint’s commitment to diverse, exciting sounds, freed of the conventions of traditional club music. the album covers a number of moods and emotions, from dystopian carnivalesque vibes to moments of high intensity, through to deep melancholia and synth laden ambience. gretschmann’s well documented love of the sampler shines throughout - tracks are textured and colored with different hues from his extensive sound palette, whether it’s a part of his more psychedelic moments, or concentrated on his innate knowledge of dancefloor dynamics. as such bld sits together as a complete piece of music - to be relished just as much by blissed out home listeners as the left-field dancers.

d edges cultured off shoot olga is back with a new ep, radiolarian, from german-bulgarian stefan goldmann. again it is a perfectly well sculpted ep with deep and sleek lines that get right into your head. the man behind it is the co-owner of the excellent macro label and for more than fifteen years has released intricate house and techno sounds. he is a deep thinker and master of hi-fidelity sound design and intricate grooves, so is perfect for this label. radiolarian is first and is seven sublime minutes of tunnelling techno rippled with neon melodies and firefly like pads that burrow into your brain. it is a high tempo and high impact track but a subtle one that works its magic slowly. building to a number of peaks, it then pulls back and the whole thing starts again. on the flip, streams is freaky and unhinged, with weird synth sounds making for a trippy atmospheres as minimal beats roll below. perfectly detailed so as to work on both head as well as heel, it rounds out another fine ep.

over 3 years ago, casey tucker was thrust into the limelight after 15 years in the shadows. never truly getting the recognition for is detroit influenced and post rave sound in the 90s, for those that knoe reissued some of casey s classic material and unearthed some gems on dat in 2013. fast forward to the current day and a recent treasure trove was uncovered and some fresh dats untouched since the late 90s were discovered! ben promptly bought a dat player on ebay and shipped it to casey s home for the un-dusting to commence. fttk has worked with casey to present another round of authentic material spread across a further three eps. the track carpet dancer has been in demand since the fine balance recordings gained deserved attention. originally featuring as the a side on the very first fine balance ep, it evokes all of the emotions that caseys music can muster. juxtaposition is a slower groovy effort with meandering chords, trademark fizzy percussion and topped off with a lush string finale. whatever comes to mind rounds off the ep with a rolling percussive bassline, delicate arps and smooth sweeping pads.

jasss is an outstanding sound artist and dj (playing resident at the mannequin records night in berlin). raw and pure, she returns with an instant-classic second single for death of the machines. es complicado is a percussive a-side driven track, a passionate industrial/futuristic wink to the past, while ‘no chanche’ on the b side is opening a new path for her productions. the mind sick samples from the 1966 bergmans masterpiece persona leave the track - as the movie itself does - in a climax wrapped by a variety of interpretations, moving from tribal new beat rhythms and ending into an acid nightmare. tip!

mystica tribe is the musical alias of tokyo-based producer, taka noda. drawing on a wide range of influences from dub, soul, bass music, rhythm and blues mystica tribe has quickly been developing a very distinctive sound that exists in a weird, freaked out zone between dub and techno. noda is especially interested in deep, psychedelic music, and this is reflected in his productions, which are equally suited for late night listening sessions or bent, broken in dancefloors. his first track, meditation stick, was released in 2011 on dutch label sd records, backed by two remixes from label owners syncom data. this was followed by two more eps on sd records in 2013: stars are mine and flowers. artists like gilles peterson and 2562 have supported these well-received releases, and his track. his temple recently appeared on pangaea s fabric live 73 mix cd. in 2014, noda is launching his own label, mystica tribe records, through which he plans to continue developing his uniquely psychedelic take on dub and techno. his recent ep, lizard, was released on his label in 2014. jade eye ep was released on his label in 2016.

new school electro wunderkind privacy makes his debut on klakson with a dark four tracker that checks all the right boxes. the ep kicks off with four io, a haunting, spacey dubbed out acid roller with lush pads throughout. u can tell and ncsc are both specimens of the finest ebm tradition, re-interpreting the sound for 2017, while shove on the b2 effortlessly transports us into deep, uptempo aquatic electro territory.

timmo follows up his debut drumcode release we beat on with a brand new 4-tracker packed to the rafters with his own unique blend of techno. his productions are getting plays from the likes of adam beyer, joseph capriati and richie hawtin amongst others, 2017 is set to be his biggest year yet. timmo s unique sound has captured the eyes and ears of many highly revered techno djs around the world and his system release is a stark reminder of exactly why this is. intensify is a big room record that is set to do some real damage on dancefloors worldwide. this peak time tool thumps through 7 minutes of power, dragging you in and throwing you out the other side as the track rolls on. the maze is an example of his excellent production, with his use of synths on a level that some producers take years to hone. system is a haunting track, authentic four-to-the-floor techno that screams in to top gear right from the off. the release closes with the more groove and bass line laden together . one of those tracks that is guaranteed to get stuck in your head

omar has a totally unique, individual style and sound still marks him out as a future thinking and utterly unrivaled artist, who has collaborated with so many legendary names that it would be foolish to deny his worldwide reputation - who would dare contradict the likes of stevie wonder, erykah badu, carleen anderson, angie stone, common and fellow fans and followers like maxwell and jarrod lawson?
following on from 2013’s album the man, 2016 sees his new long player further cement this undeniable reputation. love in beats is omars 8th studio album of his long, illustrious career and may just be the most eclectic & varied to date. somewhat more electronic in it’s conception and sound than it’s predecessor, love in beats incorporates soul, caribbean rhythms, an undercurrent of funk, with touches of zouk, a jazzy waltz, spoken word and also features collaborations with us soul legend leon ware, blue note pianist robert glasper, grime mc ty, guadeloupe born singer jean-michele rotin, and uk soultress natasha watts, the floacist and mayra andrade, the cape verdean born singer who lives and records in paris.
co produced by scratch professer, omars grammy winning brother, this collection should create excitement worldwide, the sounds are varied - but all have omars’ unique fingerprint on them, style and substance beautifully merged!

(180 gr) the fourth in international feels minialbum series is by shelter aka alan briand, a young parisian producer with a strong melodic centre producing a sound that pulls on the zouk, the afro, the balearic and the ambient palette

the second vinyl only release from this impeccable label presents textures of true deep house with vapour rise and the mysterious beings beyond comprehension, a spoken word dedication to the light from a leading authority in the sound healing field, a call for us to find the higher purpose, particularly relevant in these changing times and finally chant of antara (meaning within in sanskrit) a blissful ambient piece created by layers of throat singing and ethereal effects. vapour rises is beautiful, melancholy, meditative, deep house following on from the classics like fingers inc who created the genre so many moons ago. the celestial vocoder vocal version notes our searching for meaning, looking into little light boxes (our phones, computer screens and tvs)

wizards of ooze was a belgian band that released 3 albums between 1994 - 1999 and toured the whole of europe. the bands sound is a mixture of different genres, combining elements from primarily soul, fusion and psychedelica. their thirdalbum almost ? bikini is regarded as the more open and accessible one.

the wizards sound is a mixture of different genres, combining elements from primarily soul, fusion and psychedelica. for this album the unheard tales of ..helga schröder, the two front-wizards wim tops and peter revalk put together acompilation of un-released tracks from the recording vaults

who whom is a new label from paul rose. the artists are various, the sound particular. the first 12” comprises tracks by isaac reuben, bleak, markus suckut and antonio ruscito, and is titled ‘curse of sherwood’.

(incl. in aeternam remix) n.e.w.s. welcomes ravage white series. ravage is proud to present the hyperborean land ep by the upcoming french duo as patria. this release marks the third instalment in their white series label.the a1 and b1 contain two sensitive and mesmerizing productions, portraying the distinctive as patria sound. the a2 and b2 consist of two mind-bending versions, presented by french wave producer in aeternam vale.

label heads and long time partners kreon and lemos return to equivalence with avatone an emotive excursion to the early days of electronica, filled with warm strings and electric bass in a break trip reminiscent to the sound of detroit and late 90s uk breaks